The work "Laudate eum Coronis" is inspired by the style of Oliver Waespi's composition "Other Lives" and is based on the 19th chorale (Diademata), which originates from the hymn "Crown Him with Many Crowns." The four verses symbolically represent the sacrifice made for humanity, the triumph and victory, the ascension of the Redeemer and the sight of his beauty, as well as the remembrance of praise and honor. These themes simultaneously form the programmatic framework of the composition's four sections. The title "Laudate eum Coronis" means "Praise Him with Crowns" in English and thus symbolically refers to the 19th chorale. The opening of the piece, "The Victim," is characterized by dark chords that reflect the sacrifice for humanity. After brief reminiscences of the 19th chorale, a lively section follows, introducing a striking bass motif. In the second part, ‘Triumph and Victory,’ various solos unfold, gradually gaining in drama. After an intense climax, a cornet solo embodies the triumph and victory. The third, chorale-like section, ‘The Ascension of the Savior,’ begins calmly and profoundly. A dynamic and harmonic ascent leads to a powerful climax, where the chorale blossoms in all its splendor, leading to redemption—this section evokes the ascension of the Savior and the sight of his beauty. The fourth part, ‘Praise and Honour,’ is characterized by a fast, rousing tempo and is a musical reminder of praise and honor. Various solos connect funky and chorale-like passages, culminating in three striking final chords.